Adventure Films are exciting stories, with new experiences or exotic locales. Adventure films are very similar to the action film genre, in that they are designed to provide an action-filled, energetic experience for the film viewer. Rather than the predominant emphasis on violence and fighting that is found in action films, however, the viewer of adventure films can live vicariously through the travels, conquests, explorations, creation of empires, struggles and situations that confront the main characters, actual historical figures or protagonists.

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Although technically a series of 28 films stretching over a period of twelve years (1938-1950), the series of Blondie films somewhat qualifies as a feature-film serial. Columbia Pictures produced this popular and wholesome series of low-budget situation comedies with a blonde character named Blondie Bumstead, after acquiring the film rights to the story.

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Hollywood has always enjoyed lucrative returns from the action-film genre, although the action film has been steadily worn thin with retreaded stories, excessive macho-posturing of the 'one-man-army' hero or hit-man vigilante, and overwhelming special-effects and insane stunts. By the 1980s, action films became more hyperkinetic, violent, and expensive to produce. Raw, indestructible, powerful and muscular heroes of modern, ultra-violent action films were very much unlike the swashbuckler action heroes of the past. Many of the films have morphed into other genre areas, including thrillers, sci-fi, and adventure dramas. The biggest stars and their action films have been:

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The primary moods of classic film noir were melancholy, alienation, bleakness, disillusionment, disenchantment, pessimism, ambiguity, moral corruption, evil, guilt, desperation and paranoia.

Heroes (or anti-heroes), corrupt characters and villains included down-and-out, conflicted hard-boiled detectives or private eyes, cops, gangsters, government agents, a lone wolf, socio-paths or killers, crooks, war veterans, politicians, petty criminals, murderers, or just plain Joes. These protagonists were often morally-ambiguous low-lifes from the dark and gloomy underworld of violent crime and corruption. Distinctively, they were cynical, tarnished, obsessive (sexual or otherwise), brooding, menacing, sinister, sardonic, disillusioned, frightened and insecure loners (usually men), struggling to survive - and in the end, ultimately losing.

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The females in film noir were either of two types (or archetypes) - dutiful, reliable, trustworthy and loving women; or femmes fatales - mysterious, duplicitous, double-crossing, gorgeous, unloving, predatory, tough-sweet, unreliable, irresponsible, manipulative and desperate women. Usually, the male protagonist in film noir wished to elude his mysterious past, and had to choose what path to take (or have the fateful choice made for him).

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Stars: Lea Thompson, Wendie Malick and Hunter Allan


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Starring Josh Radnor
Malin Åkerman
Kate Mara
Zoe Kazan
Michael Algieri
Tony Hale
Pablo Schreiber

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Arnold Schwarzenegger remained committed to jump-starting his acting career post-governor's office and his infidelity scandal and divorce with wife Maria Shriver via his commitment to the Lionsgate western The Last Stand. Schwarzenegger agreed to play what a Lionsgate exec described as a border town sheriff facing a drug cartel leader trying to escape across the Mexican border.

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